![]() ![]() ![]() And as Malcolm is throwing jabs, Sam throws jabs. This film is not told through one person‘s perspective. But while we can come to heads like that, it still comes from a place of love. Because we are fighting for our lives.” ”My goal in this moment was to set up how we can debate passionately and disagree. But Sam has the furthest reach.” ”And that is why, brother Sam, this movement that we are in is called a struggle. And he feels that Sam has not been using his voice the way he should be. Well, you know, you bourgeois Negroes you‘re too happy with your scraps to really understand what is at stake here.” ”Malcolm is really in this space feeling urgent, that where we are as a people, we don‘t have time to joke around or take life lightly. It really kicks off the beginning of the debate that we‘re going to see between Malcolm and Sam.” ”You know what is going on around us, it should make everyone angry. So this is in the film where we‘ve just seen our quartet, Malcolm, Jim, Sam and Cassius, come down off of the roof where they went to kind of get a breather. And I‘m the director of One Night in Miami. Transcript ‘One Night in Miami’ | Anatomy of a Scene The director Regina King narrates a sequence from her film featuring Kingsley Ben-Adir, Leslie Odom Jr., Eli Goree and Aldis Hodge. ![]()
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